Monday, February 18, 2013

120 -- Dispatch -- Thursday, October 11, 2012 -- DAR Constitution Hall -- DC

The Dispatch concert I went to at Madison Square Garden remains one of the best concerts I have ever seen.  Rather than revisit all the elements of that show, I’ll hit on the few new elements of this one:

1.  “Flying Horses” was mind blowing.  The verse shifts in the middle, the extra banjo beats, the band admitting it was the fastest they had ever played the song……it was an out of body experience.

2.  “Here We Go” nearly topped it.  The added slow-burn intro, the added drum-jam middle, and the explosion at the end made my leg shake.  “Passerby” also benefitted from a new mega-jam ending, “Bats” from a new Bongo solo, and "The General" from a new “way yii yii” chorus.     

3.  Um, “Elias” was not as good as last time.  It was still great obviously, and it’s cool that they dedicated the song to a family that have fed them the past ten times they’ve come to DC.  That said, it’s hard to match a twenty-person Zimbabwean choir.

4.  Ben Marzouk was with me this time – that was a definite improvement.  Seeing Ben enjoy it, especially the violin-driven “Carry You,” added to the experience.

5.  This time they dedicated a song to me – well, all teachers actually, promoting the Amplifying Education initiative: http://amplifyingeducation.org/ I appreciated the gesture and the funny intro (“thank you for sacrificing the children”), but I wish they’d chosen a better song that “We Hold A Gun.”   

6.  The sound went out during the first third of the show, and it was awesome.  Irritating as it was when the sound would drop out, it made it that much better when it returned.  It also built up a lot of band-crowd unity, which was necessary after they started with a number of songs from Circles Around The Sun, their lackluster new album, don’t seem like they’re enough, so we're going to play a game of dice and be right back.  [The sound comes back a second later.]  Whoa, that was a quick game.”  From there, the band had the audience sing the entire “Bang Bang,” invited individual audience members on stage after the opener, Good Old Boys, had left, and finished “Two Coins” with a stadium wave!  Like I said, awesome.
                   
Grade: A

119 -- Jack White -- Saturday, October 6, 2012 -- Merriweather Post Pavilion -- Columbia, MD

The White Stripes concert I went to at Madison Square Garden five years ago was a huge disappointment.  It was upsetting to hear all these albums I loved thrashed and beaten live.  And this time too, I did have notes that said “too hopeful for Stieg Larsson,” “too hopeful for Marilyn Manson,” and “why must the guitar dry heave?”

That said, knowing what to expect ahead of time allowed me to also appreciate the good things.  I enjoyed, for example, when White cleverly co-opted ZZ Top, insisting “Jesus just left Chicago, bound for Washington DC.”   The guest singer during “Top Yourself” also really added to the song, “Dead Leaves and the Dirty Ground” was an exciting throwback, and the electric bluegrass “Yorba” was outstanding. 

Hopefully next time, White will ease up on the amp, and it will be an even better show.

Grade: C+

118 -- ZZ Top -- Saturday, October 6, 2012 -- Merriweather Post Pavilion -- Columbia, MD

--- Three immediate chuckles: 1)  ZZ’s huge sunglasses / beard 2)  The age difference between the ZZ and Skrillex audiences.  3)  “Some of ya are saying, ‘How is that guy playing that guitar with one hand?’” [He flips the guitar over to reveal a big beer sign.]

--- Two early non sequiturs: 1)  The dog that runs on stage during “Tush”  2)  The terrifying picture of a bug superimposed over a background of rice and KFC.  How that connects with “Tube Snake Boogie” I’ll never know.

--- One-liners throughout: “My head's in Texas; my heart's in Mississippi…I've been trying to figure out how to rhyme something with Maryland.  Oh well, I’ll insert Maryland in the next chorus anyway…This song is from way back – way, way back…This song is so new I have to have someone bring me out the words."

The songs did become repetitive after a while, but I enjoyed them most of the time.  After forty minutes of Skrillex, old school guitar rock worked!

Grade: B

117 -- Skrillex -- Saturday, October 6, 2012 -- Merriweather Post Pavilion -- Columbia, MD

Full disclosure: I am not a huge Skrillex fan.  I saw him as part of the Virgin Mobile Festival.  I appreciate a lot of genres: indie rock, classic rock, pop rock, indie pop, hip hop, etc.  Somehow I have never been able to enjoy ‘rhythmic static’ or ‘syncopated electrocution.’

That said, if you were a Skrillex fan, you probably would have enjoyed the wide variety of mixes and Sonny Moore’s energy during the show.  I will also admit that I enjoyed the pumped up “Fresh Prince” and the way the broken-up sounds fit the broken-up Transformers images on the video screen.  Doubt I’ll ever go to another Skrillex show, but it’s something…

Grade: C-

116 – Nas -- Saturday, October 6, 2012 -- Merriweather Post Pavilion -- Columbia, MD

I give Nas a lot of credit.  I had not listened to many of his albums, and texting white teenagers were not his core audience, but he worked it.  He paced to the right, to the left, to the middle, managing to come off as forceful and confident, not cocky: “I can’t stop now, Maryland, ‘cause I can’t stop now, DC…This is for my all my Trapped In The 90s brothers…Where’s my hip hop people at?  When you say hip, I say hop. [Heh].”

This was a nice twist: “My old attitude was life’s a B, and then you die.  Now, as I get older, I realize that life is good.  It can still be a B, but you’re not ready to die.”   I enjoyed this line as well: “This song is dedicated to my ex-wife.  It’s called ‘Goodbye.’”

There was also a solid contrast between the gunshot-laden “Made You Look” and the responsibility-driven “Daughters.”  The mic-life play in “One Mic” worked equally well.

The high point of the set was clearly “I Can.”  You had to love the positive message, the little kids singing during the chorus, and lines like “she was beautiful, but now when hugs people, they hold they breath ‘cause she smells of corrosion and death.”  It’s also the only song I can responsibly link here, so enjoy.

Grade: B

115 -- Alabama Shakes -- Saturday, October 6, 2012 -- Merriweather Post Pavilion -- Columbia, MD

The Virgin Mobile Festival did not get off to a good start.  The traffic in Columbia was unlike any I’ve ever seen there.  I moved half a mile in forty five minutes.  The guy with the walker in Office Space would've lapped me!  http://www.youtube.com/watch?v=imo3HaNt1Sc  This meant I was not able to see Ben Folds, one of my all-time favorite live performers!  Fortunately, though, things improved once I met up with Mike Erickson and Alabama Shakes took the stage…

--- My shocked first reaction to seeing Alabama Shakes’ lead singer: “It's a woman?!”  “The second: “Wait, is it Jennifer from Accounting?”  Magic's friend guessed a middle-school math teacher.  Ultimately, her non-rock lock was endearing – as were the two similarly-figured fans who mouthed every word she sang.

-- “Hollllld On” has such soul! The syllable by syllable part at the end was awesome.

--- Gotta love containers that come with water chasers.

--- HA, the guitarist has huge sideburns and what looks like a painted-on mustache.

--- Magic could've seen them for free in Richmond, but he didn't know who they were.  I had not known anyone whose dad engraved his iPod – now I’m jealous.

--- "You Ain't Alone" and "Be Mine" had great build / pacing.

--- The rare F’s in “Always Alright” and "Be Mine” added to the message – as did the crazy contrast between her growling soul voice and timid normal one.

--- My only issues were the slight lack of variation and slight lack of stage presence.  Magic made a good point, though: if this were a small, smoky bar and they were sipping Alabama whiskey, that’d put it over the top…

Grade: B+

114 – Bruce Springsteen – Friday, September 14, 2012 – Nationals Park – DC

This show will always be known as the one when I got to meet Bruce.  We did not actually say anything to each other -- perhaps, given Kevin and Paul’s connections, this will happen next time. ;)  We were, however, TWO FEET from each other, leaping and screaming for fifteen glorious seconds.  It was hard to tell who was jumping higher – him or me!  



Other memorable moments included…

--- Driving around SE for 45 minutes trying to find a parking spot, shuffling another 45 minutes trying to get into the show, and wandering for 90 (!) minutes after the show trying to find my car.  [I didn’t say these were pleasant moments – just memorable.]  

--- Hearing the unexpected guitar solo in “Prove It All Night,” the calypso vibe in “The Ties That Bind,” and the trumpet to go with the train in “Johnny 99.”

--- Seeing this atonal little kid with industrial headphones lifted on stage during an acoustic “Waitin’ on a Sunny Day.”  He couldn’t sing, but he sure could fist pump.  Bruce worried, “I think I may have scarred him for life.”  Hardly.

--- Hearing the Scottish vibe and maracas interlude in “Shackled and Drawn,” the shift from hushed acoustic to upbeat banjo in “We Are Alive,” and the vast improvements on “Land of Hope and Dreams” – so much better than the album version and Clarence’s nephew has gained such confidence.  It was also satisfying to hear Jack of All Trades,”Racing in the Streets,” a strong piano song I had not known very well, and the welcome return of “Darlington County,” “Dancer in the Dark,”  “This American Land,” and “BADLANDS!”          

 --- Seeing and hearing Bruce work the crowd: “This song is from before you were born – way before you were born…This is exhausting; I need to get some new life. [He starts eating a slice of pizza mid song!]…I heard there’s some pretty good baseball being played here right now.  [The crowd loudly cheers.]...[During ‘Wrecking Ball’] The arena’s filled and *Giants* played their games.  [For once, most of the crowd is saying something other than ‘Bruuuuce.’]…Can you feel the spiiiirt?  Oh, you can feel that they’re all here.  You know how I can tell?  They’re in your voices.”

--- Involuntarily clapping when I saw a guy next to me in a Heisenberg t-shirt.  He claimed he burned through Breaking Bad in two weeks since it was ‘so addictive’ [heh].

--- Involuntarily slanging during the encore: “DC Central Kitchen, what what” / “good golly I like ‘Detroit Medley.’”  Since when do I talk like that?  

--- Taking in the crowd the whole night.  The stadium panorama was incredible.  You had 40,000 people, including two of my students’ parents TC/JK, on their feet for four hours.  You had three guys pounding air drumsticks during the “Born To Run” drum solo.  You had two marines walk past me the moment The Rising” began – the only time they came by the whole time!    

Throughout the show, Bruce asked, “WashingTON, are you done?”  Ultimately, four hours later, the answer was “yes.”  We were all done until the Verizon Center next fall.  Until then, no concert was likely to measure up to this one…     

Grade: A+